My Death Collection
Haiku Quintets and Microstories
for Thinking Mortals
Dan Dana
Edition: 2026.1
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Five Palms Press
Sarasota, Florida
© Dan Dana 2026
All text was authored by Dan Dana. No text was generated by AI. Photos and images not otherwise attributed were created by the author. Certain images were generated by AI, designated “Image by AI.”
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Contents:
· Dedications
· Introduction
· PART 1: Haiku Quintets
· PART 2: Microstories (prose poems)
· About Dan
· Other Books
Within each Part, selections are unordered and uncategorized, thereby being conducive to aimless riffling. Browse boldly. Let your mind wander. Follow it there. Repeat.
E-book readers may use Kindle’s search and bookmarking functions for navigation.
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Dedications
· To my fellow mortals, that you may think about your own end-of-life with eyes wide open
· To my survivors, in due time, that you may understand my choices
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Introduction
I stand at the portal of my ninth decade of conscious existence, celebrating my awesomely lucky life, prepared to share with you some rather intimate thoughts about the conclusion of that existence, both mine specifically and yours generally. If you have accumulated sufficient seniority, in years and in life experience, to thoughtfully consider the topic of this book, you might belong to the cohort of thinking mortals who are willing to compare and contrast your own thoughts with mine. I dedicate this book to you. I welcome civil, thoughtful debate where differences may appear.
This curated collection of haiku quintets and 50-word microstories, selected from my wider body of minimalist poetic writing, offers glimpses under death's kilt where many dare not look. Topics include end-of-life-choice, antinatalism, faithlessness, and secular humanism as a worldview.
In case you’re wondering, I am a fundamentally happy person. I enjoy living. I have friends and family who enrich my journey. Sharing home-life with my wife and best friend in our comfy perch overlooking Sarasota Bay is a daily joy. I have traveled widely, and enough. No ambition nor bucket list drives me. I watch world events, rather despairingly, but lack agency to set them right. I amuse myself by writing minimalist bits, imagining that you might read them with a smile or a glimmer of self-recognition.
Belonging by accident of birth to a privileged demographic, I have received advantages unavailable to fate's unfortunates and faultless victims, for whose suffering I mourn.
Born in 1945 and living long enough to witness the apparent collapse of democracy in my homeland, my lifespan may be rightly called humanity's Golden Age. No previous era in the history of our species has offered such manna, even to royal elites. I am in reasonably good health—barring some unforeseen accident or diagnosis, I'll linger several more years. My life is good, for which I am deeply grateful.
So, you ask, why this existential fascination with death? Reflecting on the approaching conclusion of one's life with full awareness, eschewing the false comfort of supernaturalistic crutches, here most relevantly the promise of conscious afterlife following physical death, is a feature of the secular science-based cosmological perspective that I strive to achieve. In these early centuries of scientific discovery, I sigh in awe of my insignificantly miniscule, yet unique, moment of consciousness in the infinite, yet-to-be-fully-comprehended universe. What a privilege!
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PART 1: Haiku Quintets
I strive to pack maximum meaning into the 17 syllables of the classical Japanese haiku form developed 400 years ago—a poem of three unrhymed lines divided into 5, 7, and 5 syllables. But diverging from tradition, and committing other poetic heresies as well, my poems each consist of five haiku—thus a "haiku quintet"—comprising a single narrative theme and amounting to 85 syllables. A photo or image illustrates and completes the finished piece. I dub this novel art form "poetic impressionism by curious wordcraft." Apologies to Basho for my unorthodoxy.
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My Obituary
(An early draft)
migrant of the mind
who could not resist asking,
“what’s life all about?”
avid collector
of worldly experience
—his gallery’s full
career was a drill
to probe the psyche’s secrets,
daring to dig deep
dismantler of myths,
sought to fathom our true place
in this vast cosmos
educator strove
to leave world a smarter place,
then returned to dust
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A Completed Life
acorn became oak,
top leaf touches endless sky,
fulfilling its task
the race has been run,
finishing about mid-pack
in good-enough time
this quintet’s now done,
eighty-five trim syllables
of experience
checked off bucket list
aboard this trip’s one-way train,
the rest is surplus
been there, done all that,
wrote tee-shirt for the grandkids
—a completed life
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Control
I’m not one of those
who must have things my own way
when others differ
friends think what they think
without objection from me,
I’m no arbiter
back in career days
I led but did not command;
I was a soft boss
I don’t drive the bus,
I’m just along for the ride,
watching scenery
in my ninth decade,
I only wish to control
how and when I die
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Contemplating ancestry and descendancy at Mayflower Park, Southampton, England
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Cruise to Nowhere
the journey itself
is the true destination,
a cruise to nowhere
“just enjoy the trip”
—wise elders counsel this truth:
that’s all there can be
but this crammed album,
proving I’ve been there, done that,
reveals my hubris
my vain memoir wrests
today from tomorrow’s clutch
to breach death’s bulwark
this swift cruise proceeds
toward its looming terminus,
coming into view
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Antique
“I’ve lived long enough”*
she said with a soft chuckle,
shocking my young ears
“but you’re an antique,
a precious object to keep
in a treasure box!”
every inch of time
must be tacked on to life’s trip,
to make it endless!
at eighty I see
I’m more than your object; I’m
sovereign Self’s subject
I’m the antique now,
poet of end-of-life choice,
I hear you, Aunt Note
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* Quoted c. 1982, Aunt Notie (1885-1984). Photo c. 1905
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Last Times
there will come a time
when every time’s the last time
in this one lifetime
to see, hear, be here
—sometimes I’ll know it’s my last,
but most I will not:
to watch the sun set,
taste this wine, to drift asleep,
to wake this morning,
to look in your eyes,
hold your hand, feel your warmth,
kiss your face, make love
will I want to know,
to be aware that this time
is my final time?
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That I Might Be Known by You
one verse sowed the seed,
pregnant thoughts germinated
in fertile moments
coarse grains of raw sand
growing in my aging shell
promised shining pearls
swelling over time
until my littered shelves sagged
under weighty words
scattered bygone bits
wrote this sequel to my life
on memory’s page
that I might be known
by you, in maturity,
around evening’s fire
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The Patriarch
my turn is coming,
as generations pass on,
to be Clan Elder*
I am “Uncle Dan”
to dozens who share our genes,
and “Papi” to two
I remember Dad,
a living, breathing person
—I’ll soon be the last*
spanning parents’ age:
three eventful centuries
from Civil War times
I embody tales,
unique family stories,
that will end with me
* If I survive my two older siblings
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The future patriarch, 1948
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What Can I Do?
is democracy
today’s fragile Titanic,
doomed to history?
can I do nothing
but witness our dream’s sinking
on screens, passively?
as decks slip beneath,
I can watch each go under
in growing alarm
I can join protests,
waving eloquent placards
in fierce defiance
my children’s children
may honor my resistance,
but wish I’d done more
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Image by AI
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What’s That Word?
damn! I can’t recall,
though I say it quite often,
just minutes ago!
I know what it means
and can tell all about it,
I’ve known it for years
old people get it,
but surely not me, quite yet
—I’m only eighty
so damned frustrating,
taunting me without mercy,
barely out of reach
oh well, I give up,
I’ll ask someone younger, like
my wife what’s-her-name
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Crossing
my crossing began
before aging’s sharp focus
showed cracks in the ice
in time, I entered
the frozen river’s full breadth,
stepping floe to floe
my youthful blindfold
hid the widening fissures
beneath heedless feet
from elders’ safe shore,
looking back, I see hazards,
and floating corpses
of faultless fellows
—how did I escape their fate?
from here, I marvel
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Image by AI
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Terra Octo
I’m a wanderer
entering a foreign land,
my passport’s been stamped
friends who went before
report menacing weather,
warn of new hazards
beyond Octo’s shore,
per life’s self-guided tour map,
lies Terra Novem
some old boats like mine
founder on steepening seas
—better have a plan
my plan: stay on watch
to wrest the helm from blind fate
for the final leg
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Image by AI
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Window of Opportunity
my years have been rich,
humanity’s golden age
has been my fortune
days still bring pleasure,
along with my fair share of
seniors’ aches and pains
it’s my right to choose
final exit’s time and place,
when I’ve lived enough
but today’s window
won’t stay open forever
—delay risks bad death
I may have to leave
some good time on the table,
as the fog creeps in
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Center Mast
I’m in life with you
this past quarter century;
you’re my center mast
you’re in life with me
aboard our fragile vessel;
I’m your center mast
weathering squalls of
existential aloneness,
crossing time’s deep sea,
trimming graying sails,
keeping our good ship afloat,
steering ‘round dark shoals
we shall stay the course
‘til the first of us debarks,
and center mast falls
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Image by AI
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The Trade
now’s Now is peachy:
feel fine, few worries, dear friends,
life is good, so far
squinting, I foresee
my future Now creeping toward
a slippery slope:
pain outweighs pleasure,
health enters certain decline,
red line looms ahead
fate proffers a trade:
more time sliding toward death’s maw,
for timeless Nothing?
I’m my own broker:
no law, church, doctor, nor herd
shall usurp my choice
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Image by AI
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I Am a Bee
my haiku aren’t mine,
I’m simply a conveyance
across time and space
from thinkers whose thoughts
stirred Plato, Sagan, and Mom,
then became “my own”
from far ancestors
who invented fire and wheel,
who gestured in caves
hence, from my readers,
you who grok these muted words,
then share the pollen
‘til all thinking ends
in Earth’s silent far future,
I’m simply a bee
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Photo: Friends of David Attenborough
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What Matters?
Earth is just a speck
of spinning rock and water
in the cosmic void
I am just a speck
of consciousness on Earth’s plane
with eight billion more
we matter to us,
as I matter to myself,
against all reason
you matter to me,
your infinite suffering,
tho’ it’s not my own
beyond this logic,
our caring for each other
must be what matters
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Photo: The “pale blue dot” (Earth) taken from four billion miles away by the Voyager 1 spacecraft (NASA)
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Why I Write What I Write
a scribe friend asked me:
“why do you write what you write?
why this and not that?”
~ it interests me
~ I know something about it
~ it may help others
~ to leave a small piece
of my mind behind for you
when my body dies
~ to hedge against death
so something of me will last
a few years after
~ so that you might smile,
lingering over these words:
“so THAT’s who he was!”
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Pain and the Food Chain
we all need to eat,
more to the point, carnivores
—if no food, no life
larger predators
eat the smaller ones alive,
frantic to escape
even bugs feel pain,
as do all along the chain
from slug to apex
pain is Nature’s tool
to ensure species’ success
—we’re pawns in life’s game
it’s a cruel world
—antinatalists ask: is
pleasure worth the pain?
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Legacy
hundreds of haiku,
roadkill along life’s highway
these rich eighty years:
~ how to make love work,
~ to face death eyes wide open,
~ how and why we’re here
what worth is writing
if these nuggets die with me,
to serve none but one?
one day I’ll expire,
life’s horizon shall be breached,
but words may live on
in readers’ lived lives
—to no greater legacy
could I dare aspire
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# # #
The Right Side of History
I want to be on
the right side of history
when it is written
my words live in print,
on offer to the wide world,
though seldom noted:
~ climate will kill us
~ America’s star will fall
~ religion is myth
~ no, life is NOT good
~ only science leads to truth
~ love is the answer
some years(?) left to write
‘tiI I slip away, unseen,
my words remaining
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Memory
I can’t remember,
or do I no longer know?
—effect is the same
the name of a friend,
a movie I’m told I saw,
our lunch date today
I once could recall
such things with little effort
with my younger brain
memory’s decline’s
creeping in on cat paws in
the room where I live
in worried silence
I sense her presence near me
—do I hear her purr?
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Photo by Susana Mosteiro
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This Side of the Glass
in here, warm, dry, safe,
few discomforts perturb me
—out there, tempests rage
on nightly news’ screens
I watch untold suffering
through reporters’ eyes
bombs strike hospitals,
hostages in stark terror
bleed in dark tunnels
poor migrants duped by
smugglers promising false hope
die in the desert
from my sheltered perch,
I glimpse the world’s horrors from
this side of the glass
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# # #
With Eyes Wide Open
you and I seek love
yearning to touch and be touched
to see and be seen
you and I will die
breaching our lone horizon
to be no longer
you and I wonder
who am I in the cosmos?
is this all there is?
we are both poets
seeking our own perfect words
where none can be found
you and I can share
this trek to oblivion
with eyes wide open
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# # #
Struthof
soaring overhead,
white dove’s feathered innocence
at a safe remove
watching “pieces” crawl
up icy steps for roll call,
then falter and die
smelling stench of death,
of their shit, of rotting flesh,
of chimney’s vile fumes
shaming my own kind,
“Honor and Homeland” calls us
to fight obscene wars
no dove’s innocence—
nationalism is poison,
humanity’s curse
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Photo: Shadow selfie between double barbed wire fence surrounding prison where 22,000 victims of nationalism died 1941-1944, Natzwiller-Struthof, Nazi-occupied France, 22 September 2022
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My Relief Generation
nearing the hand-off
of my lap with the baton
your turn has begun
our story’s passed on
distant past to far future
one life at a time
shrouded in folklore
memory’s fleeting half-life
decays to nothing
save this slim box of
Papi’s memory snippets
for your relievers
as future unfurls
preserve your lap’s key moments
—the relay goes on
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# # #
A Father’s Day Regret
why did my Dad choose
to become an attorney?
I will never know
what pioneer tales
did my grandparents tell him?
I will never know
what was home-life like
in their crude prairie cabin?
I will never know
did Bleeding Kansas*
and Blacks fleeing north** touch him?
I will never know
did he think about
writing his own life story?
apparently not
* Civil violence over slavery in Kansas (1854-1859)
** Post-emancipation migration of former slaves throughout the 1870’s, many to Kansas
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J. W. Dana (1874-1955), photo circa 1900, native Kansan
Thingamajigs
whatchamacallits
are useful tools at your job
when you can find them
and thingamajigs
are helpful around the house
but often get lost
a sharp doohickey
should always be kept nearby
but where did mine go?
doodads and widgets
are perfectly fine gizmos
but none are in reach
everything you need
is on the tip of your tongue
handy as can be!
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# # #
In Your Hands Now
take Martin, my joy,
we’ve made music together
since my Woodstock year
picking and strumming
with friends and in reverie
my hands shaped her sound
your deft touch will form
next half-century’s moments
—you’re her new escort
in groups and solo
you’ll make magic together
long beyond my years
what a trip we’ve shared!
Seamus, take this worn baton,
she’s in your hands now
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Martin D-28 (1969-2021), gifted on his 21st birthday
# # #
A Nulled Child Speaks
I was contraceived,
spared a life of misery,
I’ll not beget more
poor Yoruba mom
forced by culture to give birth,
denied her due choice
she dreamed of freedom,
schooling, opportunity,
her stolen birthrights
but choice was restored,
countless unchosen lives were
averted today
a condom secured
the end of endless cycles
of faultless victims
Image source: Africa on-line
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My Race Against Time
this healthy old man
should survive the COVID bug,
but still, there's a chance
this haiku e-book
may be my life’s legacy,
if finished in time
we social-distance,
we face-mask responsibly,
our friend pool is small
rushing to complete,
and forward to publisher,
‘fore fate strikes me dead
Florida hotspot
not the best hiding place now,
I race against time
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Photo: selfie while composing this haiku, 28 July 2020
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Tet 1968
was I even there?
memories succumbed to age,
or suppressed by fear?
three stuporous nights
minigun fireworks traced sky
choppers pounded air
silent tunnel maze
beneath my senseless slumber
Viet Cong cooked rice
mortars shook death’s door
fickle fate skipped my bunker
by pure random chance
today I wonder
this surreal lifetime later,
was I even there?
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Setting: Cu Chi Vietnam, January 31, 1968
Photo: Inside a Viet Cong tunnel beneath Cu Chi on return visit, May 1, 2015
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We Are Accidental People
some million years past,
our concestor's mom conceived;
one sperm got there first
bested his brothers,
every human since descends
—but what if other?
what history then?
whole other population,
wars, leaders, prophets
that quirk’s chance result:
what is now would not have been,
same earth, other peeps
if other sperm won,
I would not be writing this,
nor you reading it
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Image: Houston Museum of Natural Science. Our grandmother (100,000 generations ago). Fossil reconstruction from likely period of the most recent common ancestor (concestor) of all humans alive today.
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Mack’s Vision
my sage age-peer friend
worried five decades ago,
foresaw grim future:
war, poverty, strife,
environmental collapse,
failed democracy
no child should suffer,
generations yet unborn
—opt out fatherhood?
but Mack’s wife had dreams:
family hearth, happy home
—mom’s vision prevailed
“selfish genes” won debate,
fate’s sealed, progeny’s in store
—grandfather of four
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Image: pngtree
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Chicxulub Asteroid
big day for Earth-life
sixty-six million years past,
brought mass extinction
mountain-size* space rock
thirty times a bullet’s speed*
smashed Yucatan’s shore
global firestorms raged,
tough birds, wee mammals eked out,
evolution worked
big dinos perished,
pre-chicken raptors survived,
and our parent shrews
lucky us, or not?
antinatalists ponder:
when’s the next big day?
* Six miles wide, 40,000 miles per hour
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Image source: New Scientist
Lucky Life
1945 – 20??
born at World War’s end,
lived ‘til democracy died(?)
lifespan’s perfect fit
escaped ancients’ pain,
exceeded royals’ pleasure,
skipped predators’ lunch
goods and services,
luxuries beyond belief
with middle class means
great while it lasted,
lucky place and lucky time,
I’m a lucky duck
fortunes turning dark
as human story unfurls,
I mourn future’s child
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Image by AI. There but for fate went I.
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Legacies Die Too
death’s specter nears,
I’ve kicked my can down the road
two generations
years or decades more?
I may live another day,
but brute fact remains:
my checklist of done-that’s,
once carefully curated,
must fade from time’s plan
vain fantasies dwell
in mortals’ void afterlife,
memoir’s futile myth
legacies die, too,
I sigh in meek surrender
—‘til my next haiku
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# # #
Being Dead*
no darkness, no light,
nothing at all forever,
no past, no future
time after I die
will not pass—same timelessness
as before my birth
here will not be there,
who I was will be no more,
no me, no not-me
no regret, no loss,
no loneliness, no sadness,
no fear, no gladness
no pain, no pleasure,
no now, no then, no being,
just pure nothingness
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* This description becomes obvious once religious belief (supernaturalism) is discarded.
# # #
My Deathbed
I’ll die in this bed
if my life ends as I hope:
a calm, peaceful death
days are not numbered,
circumstances not yet known,
blind corners remain
my legacy’s cast:
books known to all I’ve loved and
read by all who care
when pain exceeds joy,
may no law trespass this right:
my death is my choice
in life-partner’s hand
we walk this road together,
love shared to its end
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# # #
My Sell-by Date
when will I have reached
memory’s slippery slope?
are there clear signposts?
point of no return,
death’s door of choice shuttered tight,
exit’s key is lost
as sell-by date nears
or if hers precedes my own,
we may share the plunge
I forget friends’ names,
new games’ rules befuddle me,
I repeat myself,
I like “the old way,”
I reveal more than I should,
as in this haiku
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# # #
The Crime of Killing Time
quarantine fillers*
empty tasks devoid of worth
staving off boredom
life’s stark finitude
nonrenewable resource
spent one day per day
youth’s bottomless cup
unconcerned by careless spills
blinded by plenty
elders’ clearer sight
murky depth comes into view
we savor each drop
tilting once-full cup,
heeding crime of killing time,
I sip slowly now
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* Composed during COVID-19 pandemic quarantine (2020)
# # #
Slippery Slope
on tongue’s tender tip
names of known people and things
stubbornly resist
my urgent summons
in daily conversations
at senior moments
friends say, “yeah, me too”
but their words seem to appear
when called to duty!
how did your brains work,
oh pioneer ancestors,
as age beset you?
were you forgetful?
did you sense, with worried mind,
that slippery slope?
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# # #
How Is Life Good?
bomb-crushed Gazans scream
hostages wail for release
last hope fades to black
Ukrainians die
like Putin’s captured conscripts
blending blood with mud
hordes pound border wall
fleeing homelands’ misery
so near, door slams shut
in this pain-drenched world
some victims grace our news screens,
but most never do
please tell me again,
believers in loving gods,
just how is life good?
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Ground zero, Hiroshima, Japan (2003)
# # #
Alzheimer’s Dream
we were traveling
got separated somehow
I asked directions
but took a wrong turn
forgot where he said to go
I’m getting worried
I am so confused
this place is unfamiliar
I can’t find my phone
where could she have gone?
I hope she’s looking for me
I want to be home
suddenly, I wake,
relieved it was just a dream
—or premonition?
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# # #
Cyborg
my heart skips some beats,
not in a romantic way,
as aging proceeds
born nearly perfect,
but years take their cruel toll
—it’s time for repairs
my Linq snitched on me,
told my cardiologist
I need more implants
stuffed with devices,
my body’s just partly mine
—I’m a cyborg now
my new prognosis:
I may now live forever!
—thanks, Dr Eckart
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Parts of the new me (l-r): Linq cardiac monitor, Watchman stroke prevention device, pacemaker
# # #
The Most Moral Choice
most living things die
by being eaten alive
by a predator
“selfish genes” don’t care
about our personal throes,
only our species
pain evolved to serve
the survival of our breed
at each one’s expense
what is life’s virtue
if its price is agony
of sentient beings?
our most moral choice:
bring no new life to the world,
prevent suffering
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Image: Tamil Antinatalism
# # #
Descendancy
I fathered one child,
she birthed two more lovely lives
—when will my line end?
unless we die off,
my descendants may witness
planet’s final days
my heirs will suffer
Earth’s certain calamities
through millennia
untold extinctions
will spawn subspecies of us
—life will find a way
countless known unknowns
await the hapless creatures
I caused to exist
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Image by AI
# # #
Glidepath
descending apace,
no refueling allowed,
no airport’s ahead
at my window seat
between clouds of denial
I glimpse rising ground
writing haiku is
free inflight entertainment,
a fun distraction
if life is well planned
remaining time and money
end on the same day
a painless crash, I hope
enjoy the rest of this trip
—a terminal flight
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# # #
Have I Made a Difference?
most mortals hope to
leave the world a better place
as their exit nears
my career’s focus
was teaching peacemaking skills
for both work and home
I often wonder
where and when those talking tools
made a difference:
in lands I’ve not seen?
in languages I don’t speak?
in lives not yet lived?
now, I write haiku,
a frivolous exercise
—but instructive, too?
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Teaching conflict resolution at University of Hartford, 1979
# # #
A Decision Deferred
failing socially,
failing academically,
failing with women
my future looked bleak,
happiness felt beyond reach,
I despaired of hope
a flash of insight
one day brightened my dark sky
—I could end my life!
I’d found a way out
of my doom’s dreary prison
—I was free to choose!
so … do it today?
there’s no rush, I decided
—and there still isn’t
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Setting: Freshman year, University of Missouri (1963-64) Photo: Return visit to campus with Susan (2019)
# # #
I Forgot to Ask
Grandpa, where were you
when the First World War broke out?
I forgot to ask
Grandma, tell me tales
about your mother’s mother
I forgot to ask
Dad, what games did you
play with your siblings at home?
I forgot to ask
Mom, what did you like
about Dad when you first met?
I forgot to ask
kids, I’m getting old
anything you’d like to know?
don’t forget to ask
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My mom on her final birthday (2008, age 90)
# # #
My Bucket List
yup, been there, done that
I have sailed Earth’s seven seas
I’ve climbed Rockies’ peaks
untold adventures
stored in my memory bank
life’s been great … still is
old age marches forth
contentment replaces thrills
pleasure’s in small things
gazing on the bay
admiring other men’s boats
glad they are not mine
to live happily
doing bits of good each day
—that’s my bucket list
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# # #
Five Seconds Left to Live
five seconds to live:
asleep, the usual dreams
not a care, all’s well
four seconds to live:
I’m falling! … is this a dream?
panic jolts slumber
three seconds to live:
deafening roar, chaos roars
what is happening?
two seconds to live:
NO! this can’t be real! STOP! HELP!
is this how I die?
one second to live:
final breath crushed from my chest
death’s abyss … The End
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Condo collapse, Surfside, Florida, 24 July 2021, 1:30 a.m. Photo: CNN
# # #
Only a Mother Can Know
her soul-crushing loss
secreted behind a mask
of smiling good cheer
grief’s smothering shroud
cloaks her tomb of living death,
gladness can’t enter
but few know her pain,
mothers’ tear-drenched lost-child club,
woe to those who join
pin-hole two-way view:
our sweet love and lucky life;
her dark dismal cave
despair’s icy grip,
can’t endure but can’t move on,
none but moms can know
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Her son’s foot molds in bronze (2016)
# # #
Final Moments
COVID’s victim horde*
enduring final moments,
thoughts ebbing, alone
nurse’s tear-wet face,
ventilator’s steady beat,
light fading to black
I wish you comfort,
know your life was not in vain,
your good deeds remain
yielding to abyss,
at eternal Nothing’s door,
pain is near its end
so, this is death, at last?
being loved by those you’ve loved,
goodbye to the world
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* 22.1 million people died of COVID-19 during 2020-2023 (World Health Organization).
# # #
On Nihilism: 1
the world is so big
the universe is so vast
I am so tiny
time is infinite
history spans forever
my life is so short
leaders fail their task
I see, care, but cannot do
I am powerless
I am but a drop
in the Sea of Existence,
insignificant
but I can watch, awed,
in the company of friends
‘til my movie ends
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Photo: Technology
# # #
On Nihilism: 2
I will write haiku,
I’ll vote, pay tax, obey laws,
be kind to others
I cannot prevent
evil despots’ senseless wars,
children’s suffering
few will know I lived
when my dust returns to dust
and legacy fades
‘til then, here I am
observing my one moment,
awed that I exist
I’ll accept, not fight,
surrender my will to fate,
be. here. now. in peace
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The haikuist enjoying a moment
# # #
Along for the Ride
I’m a spectator
of world's unfolding drama
one unit of life
I’m not at the wheel
just a wide-eyed passenger
hurtling through spacetime
on Earth’s fragile skin
voyaging the vast unknown
along for the ride
immersed in deep awe
of this accidental trip
as long as it lasts
I'll binge on life’s feast
with gratitude for blind luck
'til my final bite
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Our home-hatched chick out for a ride, much like me
# # #
Unspent Wealth
one lifetime’s gems
cast off as trifling pebbles
of dubious worth
my world-wise elders
went to their final abyss,
leaving wealth behind
young ones keep busy
tending to urgent matters,
as did I, back then
wishing I knew then
one ounce of what I now know
of life's rare riches
here, take this flotsam,
this memoir of unspent wealth,
my left-behind gems
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Standing at the exact site of my father’s 1874 pioneer cabin birthplace in Humboldt, Kansas, located in 2023
# # #
Racing Against Time
this healthy old man
should survive COVID’s virus,
but still, there's a chance
this haiku e-book
may be my life’s report
if finished in time
we social-distance,
we face-mask responsibly,
our friend pool is small
rushing to complete,
and forward to publisher,
before I drop dead
Florida hotspot’s
not a safe place to hide while
racing against time
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Selfie while composing this haiku, 28 July 2020
# # #
Channeling Dylan Thomas
quoth the young poet:
“rage, rage against the dying
of the light”—a choice?
myself, I think not
—I’ll marvel in that moment,
what a trip I've had!
grateful for my Now,
thinking thoughts about this thought,
cosmos’ gift of mind
at my journey’s end,
savoring final moments,
drifting into void,
I intend to go
“gentle into that good night”
as my life-light dims
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* If I had faced death at age 39, I, too, may have raged. Dylan Thomas (1914-1953)
# # #
Jim’s Last Gift
he reached out to me,
final-exit day nearing,
to bid me farewell
I admire him so:
slippery slope’s brink foreseen
with clear-eyed courage
choice was his to make,
remaining time’s worth appraised,
as is Reason's way
his amply lived life
left this world a better place,
his friends enriched
Jim’s last gift to me:
clearer view of road ahead
—thank you, my wise friend
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Inspired by Jim C. Image by AI
# # #
Life’s a Movie
we’re in this wild show,
director’s chair sits vacant,
stage feels oddly real
comic bits bring laughs,
some so scary I can’t watch,
tragic scenes bring tears
take a seat, my friend,
relax, it’s not about us,
let's watch together
que será, será
whatever will be, will be
will be fun to see
grim spoiler alert:
finale is known: The End
meanwhile, share popcorn
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Image by AI
# # #
Death’s Silver Lining
a child’s death grieves us,
loved ones left to mourn their loss,
a young life cut short
thin silver lining:
no progeny to follow,
countless lives unlived,
all those deaths revoked,
war, horror, torment kiboshed
in longtermism’s view
would joy outweigh pain?
antinatalists question:
better not to live?
we fortunate few
know but this cloudless moment
in life’s roiling storm
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# # #
Just You and Me
for nine loving months
before birthing, sharing you
with the waiting world
it was just you and me
I nursed you to life,
I fiercely held you to me,
I protected you
now you're gone, so gone
from my anguished, sobbing soul,
no soft skin to sooth
none knew you like me,
none loved how I loved you,
no one cared like me
my mother-love aches,
you remain inside me still,
a hole in my heart
again, it's just you and me
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Mother and son shortly before his death (2015)
# # #
Antinatalist Ethics
we seldom ask: why
life's bowl of tasty cherries
enjoyed by so few?
pain tops pleasure on
history’s full balance sheet
—ask evil's victims
animal cousins
suffer death by predator
or meat factory
evolution’s tool:
pain serves genome’s goal, not ours,
in life’s lethal game
ethicists debate,
consensus does not prove truth,
paradigms can shift
Image: Antinatalism International
# # #
Package Deal
I’m over eighty,
can’t recall your name, dang it!
one of aging’s peeves
ambition’s kaput,
energy tank’s running low
—that’s how I roll, friends
trade brains with teen boy?
only if I keep wisdom
from life’s lessons learned
libido? don’t ask
testosterone? good riddance!
I’ll keep these old bones
body’s loss: mind’s gain
can’t have one without other
it’s a package deal
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# # #
When I Die
as life leaves this eye,
what will I say to the world
at final exit?
as Mother Cosmos
retrieves borrowed molecules:
“deep thanks for the loan!”
awesome luck at birth
fate’s whim smiled kindly on me,
vastly more than most
I'll live 'til I don't,
the day not yet known to me,
but I choose to choose
my life, not others’
until it slips from my grasp,
it’s mine to decide
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# # #
Survival
beaucoup close calls in
this bumpy eighty-year romp,
tons of lucky breaks:
motorcycle crash:
Honduran priests saved my butt,
kept souvenir scars
Vietnam antics:
hazy memories survive,
Bronze Star for ganja
now safely cocooned
in Sarasota treehouse
for the duration
few dangers ahead
except the one that kills me
—patiently waiting
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# # #
A Quirk of Fate
as a kid, I thought
my life would last forever,
death hid behind Now
grown, in the abstract,
I understood I must die,
but distant specter
now passing eighty,
as my life’s been mostly lived,
death’s shroud is slipping
my mom, at ninety,
murmured “it went by so fast!”
she died the next day
on the cosmic scale
my scant existence is but
a mere quirk of fate
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Ultra Deep Field by NASA’s Webb Telescope. Most dots are one of the two trillion galaxies in the observable universe, up to 13.2 billion lightyears away in spacetime. Our Milky Way galaxy contains 400 billion stars. Our sun is one ordinary star. Scale is beyond human comprehension.
# # #
Rest In Peace
closer to life's end
than to its brash beginning,
watching curtain close
at an odd remove,
as from a far mountaintop
through rose-colored lens
but for you young ones
and those zillions yet to live,
my bleeding heart grieves
what will beset you?
what torment will you endure?
what fate will snare you?
meanwhile, life is good
I’ve lived in charmed time and place
I’m resting in peace
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# # #
My Dad’s Earthly Afterlife
smoking was not blamed,
no one knew it was cancer
that was killing him
coughing up dark blood
he got sick in mid-winter,
was his fate foreseen?
I am his youngest,
us kids stayed with Grandmother
to shield us, I s’pose
last time I saw him,
snaked tubes in oxygen tent,
he was not moving
and then he was gone,
glimpsed in wistful, wishful dreams
he still breathes in me
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J. W. Dana and family (1952)
# # #
Misplaced Grief
when I die, I’ll cease,
no missed bucket-list regrets,
just pure nothingness
I’m not who will grieve,
you may mourn your loss of me,
a missed kith or kin
culture’s vain last rite,
my funeral’s not for me,
I will not be there
celebrate my life,
it’s been one hell of a ride
—then, get on with yours
I’ll drink life’s last drop,
but if the end’s too bitter,
please pass the hemlock
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# # #
My Afterlife Story
my molecules may
join other Earthly life-forms:
mouse, bird, fish, worm, tree
as dad, my genes will
walk, talk, think, feel, reproduce
through offspring’s tenure
my atoms will roam
worldwide ‘til Earth’s final gasp
five billion years hence
then, Sun’s sons explode:
generations of star-stuff,
my galactic tour
as teacher-writer,
some remnants may last awhile
—perhaps this haiku?
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Home base of my atoms for a few billion years
# # #
PART 2: Microstories
These precisely fifty-word studies in minimalism are intended to start a silent, asynchronous conversation with you, Busy Reader. Each is illustrated by a photo or image. No backstory is provided for context. Each story is the tip of a desiccated iceberg whose vast subsurface region is left to your imagination, that hydrating fluid stirred to the surface, Rorschach-like, by your own rich mental underworld. How? Simply notice the image that appears to your mind's eye, the tug at your heart, the punch to your gut. You thereby complete the story triggered by this stem.
# # #
Getting Better at Getting Old
Sipping not gulping. Being not preparing. Flowing not rushing. Accepting not expecting. Watching not performing. Doing not competing. Liking not judging. Holding not grasping. Listening not telling. Strolling not racing. Allowing not requiring. Enjoying not regretting. Pausing not quitting. Resting not pushing. Living not dying. Getting better at getting old.
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No refills
# # #
Just Passing Through
My living these past eighty years has had zero effect on this scene, this moment. If my parents had never met, it would be exactly the same—a humbling reminder of my life’s insignificance, and my death’s. The universe doesn’t revolve around me—nor you, my friend. Just passing through.
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A normal market day, San Telmo, Buenos Aires
# # #
North Star
Recalling the Jacarandas
Declaration of 2015: “My life has no higher purpose than to contribute to
the quality of your life”—my navigational North Star on this otherwise purposeless,
accidental journey we share. Uncertainties abated, comforted by clarity, we
now know how to walk our path together to its end.
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# # #
I Write
Without uttering a sound, I speak to those whose languages I don’t know, whom I will never meet, whose lands I will never see. I reach out to my grandchildren’s grandchildren, to citizens of a far future whose worlds I cannot imagine. I will speak from the grave. I write.
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# # #
A Writer’s Final Plea
Doctor, let nature run
its course: no surgery, no chemo, no radiation, no comforting lies—only
palliation and unvarnished truth. Dear friends, heirs, readers: no grief,
only celebration and fond remembrance. May my afterlife long dwell in
values conveyed by my words on timeless digital bookshelves. That’s all I ask.
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# # #
Return to Oblivion
He was found face-up, ankles crossed, fingers laced, relaxed, a neck-tied kitchen bag loosely draped. On his chest waited a thank-you note to no one, yet to all: “I’ve returned to my eternal pre-birth oblivion, grateful to all who made my unique moment magnificent—apologies to you who find me.”
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Image by AI
# # #
The Alternative
Four old men await zoom leader, cheerily lamenting aging’s travails. Each pokes fun: “I’m still above the grass.” “Nothing’s fatal except life itself.” Henry’s quip, “Better than the alternative,” draws customary mumbles of affirmation. Except George: “I’m not so sure.” Awkward pause. Chuckling, we move along. I’m curious about George
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# # #
The Gift of Non-life
This wee volume, tossed into publishing’s vast maelstrom, faces vanishing odds of achieving broad popularity—an epic moonshot. Yet you, empathic reader, hold the power to singlehandedly prevent death and suffering of myriad generations for countless millennia—the most generous anonymous gift possible to today’s non-descendants. What other charity compares?
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# # #
Good Enough
Amid those bigger, stronger, faster, smarter, more, the boy grew into a man. The bar remained forever just out of reach. He tired, but persisted, never giving up, never winning. The race has been run. He finished mid-pack. At long last, he concedes: he is good enough—and always was.
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1952
# # #
Ambition
“My ambition is to be completely forgotten,” quoth the poet.* Others envision their legacy engraved on mossy churchyard stone, or safely preserved on some archive’s dusty shelf, or eternally stored as timeless digital bits in the cloud. In the vastness of cosmic spacetime, ambition is futile. His wish is assured.
* Bob Kaufman, Beat poet, 1950’s
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# # #
Another Day at Sea
Where am I going? This uncharted sea offers no buoys to mark my way. The horizon looks limitless. No shoals, starboard nor port. My vintage craft’s wake shows steady progress, but toward what destination? Old salts warn of certain storms ahead, but my sky is blue. What’s on other shore?
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# # #
Death Rattle
Sucking the straw loudly, slurping final drops of animating fluid clinging to the bottom of my cup, portending emptiness, foreshadowing the inevitable. The end is near. But afterlife awaits the faithful. If deserving, I may relive this pleasure yet again. Unlike the real world, this death rattle foretells a refill.
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# # #
Living by Default
Unless we choose
otherwise, we live each day by default, tolerating chronic pain, grief,
despair, buoyed by often-implausible hope of relief from such maladies,
leavened by moments of pleasure. By habit, instinct and will, our organism
persists. Body memory of primordial predators energizes instinctive self-preservation,
oblivious to latent rational choice.
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# # #
Live Now
Immediately upon cessation of consciousness, my body will begin its entropic return to the primordial elements from which my sentience so recently emerged from oblivion. Others’ recollections of my momentary existence inevitably fade over years, decades, generations, leaving no trace. Fear not the eternal void. Oblivion will resume. Live now.
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Hubble ultra deep field photo containing ~10,000 (of ~2 trillion) galaxies up to ~13 billion light-years distant (NASA)
# # #
400 Forefathers
I’m a researcher of historical poetry. Today, I stumbled upon the digitized works of a long-forgotten heretical, humanist, antinatalist haikuist in the ancient kingdom of America who warned of generations of needless suffering in humanity’s far future. I carry his Y-DNA. Any one of my 400 forefathers should have listened.
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10,000 years from today
# # #
Did Daddy Worry?
My little boy may not remember me, if Viceroys take me out. The industry claims “no proof,” but I cough and spit. He will be fatherless soon. Would no-life have been better for him? I lie sleepless beside his young mother. Will he ever wonder if I pondered these thoughts?
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J. W. Dana, 1874-1955. Killed by lung cancer. Photo 1948
# # #
Christmas Truce 1914
In Flanders Field, George and Hans played football in No Man’s Land. They exchanged souvenirs, sharing bawdy jokes and rum. In harmony, they sang carols known by both families. They helped bury the others’ dead before returning to their trenches. Both died when shooting resumed next day. It hasn’t stopped.
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Tyne Cot cemetery, Ypres, Belgium
# # #
Wall of Death
So, this is how it ends, my road from boyhood in Szentendre. I cursed Lászaló, a “friend” from Budapest’s ghetto, now a Sonderkommando. A Szwab overheard me. Stripped, hands tied, pushed to my knees facing the Wall. My suffering will soon be over. I hear commands. I wait for relief.
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The Shooting Wall, Block 11, Auschwitz, 6 May 2025
# # #
Glad I’m Not Young
At ninth decade’s door,
beneficiary of America’s privileged demographic in history’s luckiest
generation. Facing waning twilight with calm curiosity. Passed life’s
consequential tests: stumbled into gratifying career; eventually found the
right wife; survived lethal blunders. Narrowly escaping democracy’s collapse.
Worried for grandchildren’s grandchildren, mine and yours. Glad I’m not young.
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Age 23 (1968)
# # #
Reason’s Quotient
If instinct charts my final course, 600 million years successfully evading hungry predators will compel my genes to preserve this flicker to its natural end. If reason takes command, I may accurately estimate future’s quotient of pleasure versus pain, rationally choosing my time and place. I patiently await reason’s calculus.
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# # #
Wordless
Finding words that encode thoughts and feelings into printable symbols, enabling others to decode them, thereby reconstructing a semblance of those thoughts and emotions, is my craft. Standing at Auschwitz, where millions of fellow beings just like you and me were tortured to death by indescribable cruelty, leaves me wordless.
,
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# # #
Accept Impermanence
My cherished
travel-stained cap, left in a Berlin taxi. My career’s product, meant to
benefit mankind, discarded in new executive’s reorganization plan. Democracy,
America’s brilliant experiment, crushed by tyranny. My sweat-stained poetry,
abandoned unread in deletable digital files. My short life’s chalk mark, rinsed
off by time’s rains. Accept impermanence.
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# # #
Tracks
Theo, my Poland-bound
doppelganger (~1953 version),
stands absorbed in passing scenery on his journey from Berlin. This same track carried countless Auschwitz-bound boys in 1942, peering between drafty wooden slats, fearing their rumored destination, mere hours from death. Theo will visit grandparents in Krakow and perhaps learn some family history.
|
Intercity train Berlin to Krakow |
Auschwitz-Birkenau Human transport |
# # #
Moral Cul-de-Sac
Homo sapiens’ evolution led us into moral cul-de-sac, posing inexorable choice:
#1: Pacifism—Reward aggressors, glorify militarists, tyrannize populace pawns, enable Hitler-style solutions.
#2: War (failing diplomacy)—Condemn boy soldiers to battlefield hell, bomb innocents, industrialize weapons for future nationalists.
Consider #3: Ethical antinatalism—preclude suffering of myriad future generations
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Entrance to Birkenau. No exit.
# # #
Wall Decorations
Dad to one, Papi to two,
uncle to dozens, friend to plenty. Sweetie to one interdependent life-partner,
lying beside me now—those others are nostalgic decorations gracing my darkening
wall. Will I choose to survive her, if her turn’s first, to occupy an empty,
amply decorated home? We shall see.
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Image by AI
# # #
The Recurring Dream
None since 1994, until
tonight. New setting: glimpsed him across crowded room of professional men.
Found right moment to approach. He knew of my career, website, poems. Seemed
proud of me. I thirsted for his every precious word. We parted, again too
soon. I’m eighty. Can’t wait another thirty years.
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J. W. Dana (1874-1955), photo circa 1910
# # #
Our Warm Sea
Like a fish in water, I don’t notice, enough, the warm sea we share, an ocean away from suffering and its rumors, sedated in languid stupor, stirred awake only by the occasional ripple or nudging wave. I swim in your gentle wake, my love, until we reach the water’s edge.
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Image by AI
# # #
Peace
A thunderous clap silently shook me from this morning’s stupor, exploding my resident delusion: that my existence matters beyond this shell holding all things me: my life, my poems, my people, my future. I’m left with my Now, my Here, nothing more. That’s enough, if I let it be. Peace.
Sarasota, 7:44 am, 23 March 2025
# # #
Uncertainties
Throughout these eighty
years, I’ve known, abstractly, my term will end. When, where, and how remained
distant uncertainties. With age and reason, barring fatal surprise,
uncertainty has ebbed: when pain crosses pleasure’s Rubicon, at home,
peacefully, by chosen means. Meanwhile, uncertainties abated, I shall carry on
living this good life.
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With COVID masks, 2020
# # #
Danny’s Decision
Daniel Kahneman, thinking
fast and slow, made a supremely rational decision, exchanging his final
decrepit years for timeless, painless oblivion. He chose the Swiss option,
waving off irrational gods and laws—a model for averting millennia of needless
human suffering. Choice: The world isn’t there yet. I am, in time.
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Receiving Presidential Medal of Freedom, 2013
# # #
A Bid for Remembrance
I draw poems from a deep,
dark well, not knowing their worth before reaching sunlight. Upon appraisal, I
wonder, “Is this one good?” The sheen of newness blinds me to blemishes, the
hubris of creation clouds banality. Tossed into the bin with its predecessors,
this one, too, awaits fickle remembrance.
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Photo: iStock
# # #
Socrates
First, know nothing. Question received wisdom. Celebrate skepticism. Embrace ignorance. Think, feel, rethink. Learn from students. Never graduate. Practice the craft of dialogue. Take the other side—your opponent is your teacher. Hubris poisons learning. Live once. Consider hemlock. He is the father of Western education. I am his son.
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470 - 399 BCE — Convicted by Athenian authorities of ungodliness and corrupting the youth — Quote: The unexamined life is not worth living.
# # #
A Life Story
A Boomer baby, he found
farmers’ boots too coarse for his tender feet. Misfit, too, were dorm life and
camouflage fatigues. Once discharged, he searched for his people,
yonder. On Oaxaca’s beach and Yasgur’s farm, he discovered his generation, now
called “Woodstock.” In Socrates’ steps he finally found his footing.
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1969 to present
# # #
Imbalance
Hey, Empath! Worldwide, suffering far outweighs life’s lottery-winners’ pleasure. Consider: far-future descendants we’ve caused to exist, the meat industry we patronize, wild carnivores who must eat. Was Creation Loving God’s original sin? To live justly in this unjust world: create no new life, be kind to fellow fauna, be aware.
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Image by AI
# # #
Duty to Live
I’m alive! —a self-aware bundle of star-stuff on the gossamer skin of this rare
habitable planet in one among trillions of billion-sun galaxies. Mine is a
lottery-winning cosmically purposeless—yet truly unique—life. What duty, owed
to whom, requires I live it fully? Others? Legacy? Or to none but me?
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Photo: NASA
# # #
I Want My Mother
I achieved higher education. I’ve written books. My students learned. I’ll leave the world a better place. I’ve created another generation. I’m a good man. She did me well. She was proud of me. She loved me. She’s been gone decades. I am eighty. I’m scared. I want my mother.
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Explainer for the psychologically curious: Object Relations Theory (ORT) is a useful way of thinking about the relationship between self and the external world outside us, especially in times of stress. It’s a healthy comfort to love and be loved by your mother (your first external object)—living, dead, or imagined—at any age.
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My Dad at 150
We’re getting up there in years, you and I, Old Man. You are the man I’ve strived to be in lonely, fatherless dreams. Dwindling few of us recall your twinkling blue eyes as thoughts stirred your mind. When I reach your years who'll recall my twinkling eyes—some aging poet?
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J. W. Dana, born 14 December 1874
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But First, My Mom
Christmas baby born of sturdy, hardscrabble farm folk, sole sister of five brothers, her mother’s selfless apprentice. Sacrificed past my knowing. I sip kindness from her depth. I claim no esteem—by her genes and her example she created me. Yes, the village raises the child. But first, my mom.
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Bradford Louise Gant Dana, born 25 December 1918
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About Me:
I am a retired mediator, psychologist, and educator living with wife Susan in Sarasota, Florida. Born in 1945 on a family farm in Missouri, I served, reluctantly, in the U.S. Army in Vietnam (non-combat) and Panama Canal Zone (1966-1968). Holding the PhD in psychology from University of Missouri (1977), I authored two books on mediation and one on secular humanism. Five Palms Press, named for my perch overlooking Sarasota Bay, was created to share my poetic handiwork in retirement. I am the father of one and grandfather of two.
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Other Books
Post-Retirement
· My Last Haiku: And Other Haiku Quintets
· A Life Mostly Lived: True Stories in 85 Syllables
· Diary of a Young Man: Coming of Age at a Cultural Crossroads
· Love, Death, Humanism: Practical Philosophy in Verse
· My Death Collection: Haiku Quintets for Thinking Mortals
· Haiku Quintets
· The Reason Revolution: Atheism, Secular Humanism, and the Collapse of Religion
· Life Is Not Good: Ethical Antinatalism in Haiku
· Science and Secularism: Haiku Quintets
· Songs of the Pandemic: Haiku Quintets
· Finding Your Best Friend: A Field Guide
Pre-Retirement
· Managing Differences: How to Build Better Relationships at Work and Home
· Conflict Resolution: Mediation Tools for Everyday Worklife
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Acknowledgements:
Scribes, a Sarasota writer’s community. You know who you are.
Susan, my window into the Eternal Other.